If people tell me I cant, I try and find the way to do it anyway, she stated. Dvok's music is of course very close to my heart, but as I continue my journey through different repertoire my voice is changing and this work is no longer a perfect fit for me vocally. Shes the classic representation of the role and she brought so much beauty to that character. Two seasons ago, Kristine Opolais gave a tremendous performance of Puccini's perennial masterwork "Madama Butterfly," breaking the hearts of Metropolitan Opera audiences with the plight of the abandoned wife and mother. My process is that I imagine that everything is happening to me, Im not Kristine, Im Tosca through my eyes and I feel absolutely everything she has gone through. Of course theres been very difficult moments in my career, but it was because of my past that I didnt fall apart completely. In this rendition the singing is marvelous. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. Kristine Opolais has first duet with new partner main norman lebrecht November 14, 2019 The soprano, formerly married to Andris Nelsons, has been unexpectedly joined in Dresden by the. Its important because it lets us remember who we are and the things we can and cannot do, soprano Kristine Opolais told OperaWire in a recent interview. What she does with the breath and the voice is like singing yoga. I had been partying with colleagues after the production (laughs), there was no way I could do it! Home; Happiness; Motivation; Reading; Quoatable February 26, 2023 Motivation, Wisdom Our personal reactions are very unique to who we are, so my performance and reactions should be different to another singer and vice versa. In October 2010, when Nina Stemme pulled out of the Bayerische Staatsoper\s newRusalka, Opolais stepped into the breach, figuratively and literally: Martin Kuej\s vision for the piece-captivity and abuse inviting comparison with the notorious Josef Fritzl case-meant her spending much of the evening soaking wet. In my mind, as strange as it sounds, Im performing to two big eyes looking at me. 15:05 a commence aujourd'hui. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. Opolais\s interpretations draw primarily on her imagination, but sometimes on her own experience. Kristine Opolais: The more experienced you are in your past with difficulties, or somehow with some emotional or relationship issues, the more this brings important point to light for you, as a Puccini singer. One time I showed her a video a YouTube of me performing and she started to cry, Opolais revealed. Concert (Konzert), Various Concert/recital/oratorio. My process is that I imagine that everything is happening to me, Im not Kristine, Im Tosca through my eyes and I feel absolutely everything she has gone through. So to get that approval from Rene meant the world to me. Then she went on tour with the Gewandhausorchester Leipzig, also under Nelsons. This decision to unwind allowed the soprano to come to terms with a few aspects of her life. I feel like nothing can go wrong so I can completely let go and bring my character alive. My decision to say yes that morning was an enormous catalyst in my career it changed everything. [2] Opolais started her career as a member of the chorus with Latvian National Opera in 2001, and in 2003 became a soloist. And then the rest, the lower notes, have to come with your body., She noted that she will likely give herself two years to prepare the role, adding that it is her favorite Puccini opera, alongside Tosca.. Ironically the nerves comfort me. So the soprano decided that Adriana would remain in Riga to understand what it is to live in one place. But being so used to being on the move, Opolais struggled with not being able to perform regularly. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and focus only on singing., I started to lose voice power, presence, colors, everything, she revealed. Shes very sensitive. In fact, the experience went by so quickly that the soprano didnt really understand the opera or character when she arrived at the Met in October for rehearsals. So when you lose your child, you have a feeling right there, this great loss in your entire body. Kristine Opolais' spectacular debut in the title role of the new Munich Rusalka may have catapulted her to stardom in the opera world overnight, and one would be hard put to overlook the fact that she is tall and gorgeous, but her easy and entirely unassuming manner convey more of a girl-from-next-door impression. During Adrianas early years, the soprano had taken her daughter everywhere she could. It shouldnt only be about that. 19:50 Mto 2. It is there that she makes a much-anticipated role debut this October as Margherita in Boito\sMefistofele, alongside Ren Pape as the demon himself. Privacy & Cookie Policy. at midday for the HD broadcast. If I have to say something nasty with bad energy, then that cannot be beautiful. I just remember I wanted it, and I thought I could do it. I can relate to every part of her role and I adore her. Known as "haunted and focused" Kristine Opolais brings a breath of fresh air to the operatic stage. When Opolais sang the filmed version of the opera, critics raved about the soprano's take on the iconic diva noting "Opolais sings rather well, she declaims beautifully and above all she breaks out of the by now stale clich of the great tragedian attached 'full time' to the curtains. Quite aside from her impassioned singing and acting, Kristine Opolais is what the Edwardians would have called a stunner - a rangy blonde in tight black leather trousers who sails into the room. But it cant all be pain and hurt, you have to be able to feel love and compassion on stage and for that I have my parents as inspiration. When Im in love Im extremely jealous and when Im not, I couldnt care less. Most importantly, Ive no interest in making beautiful sounds, my voice doesnt drive me in the slightest and its a small part of my expression. Being the daughter of Andris Nelsons and Kristine Opolais, she has to be sensitive. You have to be a bit more metallic without being too aggressive in the upper notes. I need to feel the pain to then understand the problem. All women who are singers and mothers, I admire them tremendously because it is so challenging, almost impossible to do both at the same time really well.. Latvian soprano Kristine Opolais has withdrawn from the Boston Symphony Orchestra's upcoming performances of Dvork's large-scale cantata "Stabat Mater," conducted by BSO music director Andris. Today, I walk on stage and I completely transport into the character. I went through a lot of things, but now I understand that I love my art the way that I do it, she enthused. What happens if you cant relate to a character? These cookies will be stored in your browser only with your consent. It is mandatory to procure user consent prior to running these cookies on your website. In 2008 she returned to Berlin and the Staatsoper as Polina in Prokofiev\sThe Gambler, with Daniel Barenboim conducting. Opolais\s instinctively verismo approach would surely have delighted Puccini, and she laughingly suggests that, given her passion for his music, they would probably have enjoyed a big love affair. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. 19:10 N'oubliez pas les paroles. Every artist needs to go through difficult times. It is a heavy role for the soprano. Opolais was so excited about it that she stayed up until five the next morning. As the terrible news dawned on her, her body sank to the floor; we watched a woman break, wrote Bachtracks Robert Levine. 2021 Final Note Magazine. Opera Magazine Features People Kristne Opolais. It\s fairly certain that Opolais will wow New York once again next spring when she and Jonas Kaufmann sing in Richard Eyre\s new production ofManon Lescaut, with Fabio Luisi conducting. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. Enter your email address below and well keep you up-to-date with the latest Opera news. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said . She sang with conviction, acted truly and brought this manipulative yet annoyingly moving melodrama to a fervent emotional climax.\ Just hours later, Opolais would further endear herself to New York and a global audience by singing Mim in the afternoon\s live broadcast ofBohme. When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. During Adrianas early years, the soprano had taken her daughter everywhere she could. For the moment, her Boito debut is all-engrossing. The connection is so strong that when the curtain falls that force disappears and I get a profound sense of loneliness. In this honest and humble interview with Final Note Magazine, Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. I thought I would love to have some bed at the opera house not to waste time! I couldnt remember a single line of text before I went on, I was in complete shock that Id agreed to this. Sometimes it has worked against me, but most of the time its my biggest strength. Are o deosebit pasiune pentru operele lui Puccini , iar rolurile principale din opere i-au adus o recunoatere pe scar larg la cele mai importante teatre de oper din lume. A second attempt went better, and she got a place at the Latvian Academy of Music. Latvian National opera director Andrejs agars about Kristine Opolais Opolais maintains this strong relationship with the Met, ever since her debut as Magda in La Rondine in 2013. The connection is so strong that when the curtain falls that force disappears and I get a profound sense of loneliness. Where does this energy come from? Then came trauma for the couple when, at three months old, their baby needed life-saving surgery. I was kind of crazy, but this was obsession in a good way.\. This highly acclaimed production from the Bayerische Staatsoper, a powerful and fascinating re-interpretation of Dvorak's fairy-tale opera Rusalka, was a revelation: The young, up-and-coming Latvian soprano, Kristine Opolais, whose performance was rightly hailed by the press as "one of the most vivid and striking accomplishments seen on an opera stage in a long time" (Vienna's leading daily . I have built my career stepping in, but the most terrifying was at the Metropolitan Opera. This decision to unwind allowed the soprano to come to terms with a few aspects of her life. I am not afraid. The soprano noted that she had been struggling with some physical issues for years but had not paid much attention to it until this point. The soprano noted that this return to her own identity came during the performance of La Bohme at Tanglewood in August 2018 under the baton of her ex-husband Andris Nelsons. Where does your head go when you perform? Latvian National Opera | Riga, Lettland | Vorstellungen (1) Soprano (Sopran) | Dirigat: Mrti Ozoli. Shes struggled with figuring out how to balance being a good mother and good artist. Click Here: Described by the Daily Telegraph as the bible of the industry, OPERA has been the worlds leading commentator on the lyric stage for nearly 70 years. What keeps her living? This kind of intense emotional approach comes with its risks for those that like things a bit more predictable, but it also allows the performer to be open to new possibilities onstage. In the 22-23 season, Jonathan Tetelman makes his eagerly awaited company debut at San Francisco Opera as Alfredo in a new production of Verdi . She needs to see her mother happy also. At first she refused, but quickly rang back. When shes done right, shes an extremely sexy and sensitive heroine. To find out more about Kristin Opolais see: kristineopolais.com, For details about Tosca at the Royal Opera House: , Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. Now, she could not look away. I think that what happens then is that she is losing her mind.. So 12 hours -- that's a lot!" Alagna told AFP in his dressing room at the New York opera house. If you want to just sound beautiful, save that mentality for the recording, but keep it away from the stage. The couple's departure was only the latest blow to the "Tosca" production. Read the complete interview via OperaWire, Valerio Galli, conductor Arnaud Bernard, director, Boston Symphony Orchestra Andris Nelsons, conductor. Opera is thriving. For her to live in suitcases and have no friends and no real home, its cruel. It feels like one big force watching me and keeping me safe. roh.org.uk/productions/tosca-by-jonathan-kent. Our meeting takes place in Antonio Pappano\s office at the Royal Opera House, where the photographs on the walls make it something of a shrine to Giacomo Puccini. Hugo Shirley in his review of her Covent Garden Tosca in March 2013 said she acted with the level of detail and conviction that rendered the diva irresistibly compelling and sympathetic [] Michael Volle\s confrontation with Opolais\s Tosca was visceral and riveting, not least because the Latvian soprano so successfully captured Tosca\s playfulness, heart and, above all, classy glamour. Concert (Konzert), Various Concert/recital/oratorio. Adriana was happy to see me at home with her, but I was depressed, Opolais noted. I have a survival instinct that I can't turn off. I immediately said no, what crazy person would have said yes? The soprano chronicled how the challenge of taking on the opera for the first time made rehearsal period challenging. I have a survival instinct that I cant turn off. But she noted that she is too emotional for Suor Angelica, which she finds heavier psychologically than Butterfly and living the part onstage is painful for her to endure (she also noted that the same happened to her with Jenufa and she ultimately decided that she could never give her best in the role and withdrew from a number of planned performances). Covent Garden is one of the houses where her portrayals of three Puccini heroines-Cio-Cio-San, Tosca and Manon Lescaut-have met with much success, but Opolais\s base is Munich, strategically chosen for its relative proximity to her native Latvia and for the strong relationship she has with the Bayerische Staatsoper. It\s safe to predict that she will throw herself into the part with absolute conviction. She had to give her daughter a better life, but she also needed to go back to taking the artistic risks she always had. The role is often noted as a mini-Butterfly, as both Angelica and the heroine of Puccinis Madama Butterfly are made to suffer for the love they have for their children and ultimately commit suicide. Kristine Opolais as Cio-Cio-San and Roberto Alagna as Pinkerton in Puccini's MADAMA BUTTERFLY. When, at three months old, their baby needed life-saving surgery I try and find the way to it! 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Margherita in Boito\sMefistofele, alongside Ren Pape as kristine opolais vocal problems demon himself disappears and I completely into... To terms with a few aspects of her life Bernard, director, Boston Orchestra. Part of her life Im not, I couldnt care less, director Boston. To feel the pain to then understand the problem in complete shock that Id agreed to this, that... Being too aggressive in the upper notes & # x27 ; oubliez pas les paroles bit. An extremely sexy and sensitive heroine strong that when the curtain falls that disappears... The production ( laughs ), there was no way I could do it anyway, stated... Up until five the next morning x27 ; s MADAMA BUTTERFLY Pape the... Of crazy, but sometimes on her own experience good artist can completely let go and bring my alive! Entire body in Riga to understand what it is mandatory to procure user consent prior to running these cookies your...
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kristine opolais vocal problems